Saturday, 29 October 2016

Live Theatre Production 

The Magic Formula!!

Pointkey moment. Why was it a key moment? What was its aim?


ExplainHow was the moment created? Detailed description of exactly how the production/performance elements/skills were used.


Evaluate – How effective were the performance/
production elements in contributing to/achieving the moments aim?


Audience Response – linking to focus of the question
How did you feel? Why? Be specific.

How to Structure a Live Theatre Production Answer


1.All answers must begin with –
· name of the piece
· the name of the company and/or director
· the date production was seen
· the venue attended
· the medium of the production – live theatre or live theatre streamed or digital theatre

2. Introduction – Set out what you know in general terms about the production which helps you to answer the question – style/form/aims/specialist techniques etc

3. Main answer - A series of paragraphs each addressing a key moment, how exactly that moment was created and evaluating its effectiveness including your own personal response.

4. Conclusion – In summary how effective was ……….. In achieving/contributing to ……….. Include your own personal response.

How do bands equate to grades in Live Theatre Production?

There are 5 bands, so we expect the following to be true, although grade boundaries change slightly each year, just to keep us all on our toes!

Band 5 = A
Band 4 = B
Band 3 = C
Band 2 = D
Band 1 = E

Wednesday, 11 May 2016

Last minute vocabulary support 

What do all those words in the questions mean?


All Live Theatre Questions ask you to -

"Explain how ............. performer/s ....????...... to .....????........ in one live production that you have seen and assess the success of their performance at particular moments."


Below are lists of the different things you could talk about-

Skills

Physical skills
Movement, gesture, posture, gait,
Use of dance, physical theatre, mime
Specialist skills, for example, circus, acrobatics
Specific qualities such as: poise, balance, lifts, strength, timing

Vocal skills:
Pitch, pace, volume, pause, emphasis, accent, singing, choral delivery, non-verbal sounds

Acting skills
- vocal: pitch, pace, pause, emphasis, accent
- physical: movement, gesture, posture, gait, poise, balance
- facial expression, eye contact
- Use of space
- Use of costume or props
- Interaction with other characters

Non- naturalistic skills can include-
Mime, physical theatre, chorus, ensemble work, acrobatics, dance, circus skills, mask work, song, multi-role
Vocal skills - pitch, pace, pause, emphasis, accent, singing, choral delivery, chanting - non-naturalistic sounds: shrieks, cries, vocal distortion
Physical skills - movement, gesture, posture, gait, poise, balance, synchronised movement - use of dance, physical theatre, mime
Specialist skills – e.g. circus, acrobatics – puppetry

Naturalistic acting skills - aspects to discuss
Characterisation - portrayal of personality traits, idiosyncrasies - methods of aging (up or down) - accurate portrayal of actual people - similarities between members of same family - their attitude towards others - status/hierarchical qualities - historical or period qualities

To create/achieve

Creation of character-
Age, class, status, personality traits, emotional states, physical states, attitudes,
Relationships with others, idiosyncrasies, accurate portrayal of actual people, similarities between members of same family, historical or period qualities

Multi role
Naturalistic or non -naturalistic characterisation, role or part, chorus member, ensemble, discrete character, actor as environment
• Methods of differentiating between characters: physically, vocally, changing appearance
• Deployment of physical skills by the performer o movement, gesture, posture, gait, poise, balance, mime
• Deployment of vocal skills by the performer o pitch, pace, volume, pause, emphasis, accent, singing, choral delivery, non-naturalistic sounds: shrieks, cries
• Interaction with others
• Physical appearance of the performer
• Delivery of specific lines
• Use of props, costume, make-up, hair to enhance/support characterisation
• Relationship with audience, direct address, aside
• Attempts to elicit differing audience response to each character

Entertaining an audience can include making them feel -  
engagement, happiness, sorrow, pity, sympathy, empathy, anger, hatred, disgust, joy, surprise, shock, tension, admiration, excitement, awe

Emotional responses from the audience –
Laughter, sympathy, empathy, sadness, anger, hatred, disgust, joy, surprise, shock, excitement, awe, fear, concern

Specific Effects could include –
·      Creation of truth or alternative reality
·         An environment, creature, visual effect
·         Delight, comedy, horror, shock
·         A desired audience response, such as engagement, happiness, sorrow, pity, sympathy, empathy, anger, hatred, disgust, joy, surprise, shock, tension, admiration, excitement, awe,

Mood/Atmosphere
·         changes in tension, creation or dissipation of suspense
·         Increased or decreased amusement, joy
·         shock, sympathy, disgust, contempt

Monday, 9 May 2016

Timed Practice Essay 

2014 Question 03 – Explain how one performer used their performance skills to create two or more different characters in one live production that you have seen and evaluate their success at particular moments.


OR
2013 Question 04 - Explain how the performers used non-naturalistic skills to create specific effects for the audience in one live production that you have seen and assess their success at particular moments.

Find the mark schemes here.

Macbeth - Blood will have Blood

Below is the cast and creative list for Macbeth - please make sure that the relevant names are in your Live Theatre notes and are spelled correctly.


Here is a bit more background information about the production


Monday, 25 April 2016

Live Theatre Notes Feedback

Live Theatre Notes Feedback 


You can structure your notes however you want, so long as they are clear for you

Below are a few examples of different layouts - 



Make sure you have linked your moments to possible question focuses - 


This way when you see the question choices you will quickly know what performance and  moments to write about.

Cast Lists


Cast Lists 


You must write using the actors names, so please make sure that they are in your notes - 

Lord of The Flies





The Curious Incident of the Dog in the Night-Time



Tuesday, 8 March 2016

Writing an introduction for Live Theatre

Writing an introduction for Live Theatre 

In all introductions 

you must - 
  • Indicate the title, date and venue of the production referred to in your answer.
  • Demonstrate understanding of the production aims - linking these to the focus of the question where appropriate                                                    
  • Demonstrate understanding of the style/form/genre of performance - linking these to the focus of the question where appropriate                      
  • Demonstrate understanding of the whole play - brief insight into the plot/themes etc. Decide what is appropriate depending on the question.
This understanding should also be demonstrated throughout the rest of the essay, where appropriate.

To practice introductions you can find past papers here.




Monday, 29 February 2016

The Odyssey

The Odyssey

Splendid Productions brought us The Odyssey http://www.splendidproductions.co.uk/productions/ last year and it is a great production to write about for questions such as - 

  1. Explain how one or more performer(s) used their performance skills to alter the mood or atmosphere for the audience during one live production that you have seen and assess how effective they were at doing this at particular moments.
  2. Explain how one or more performer(s) used their performance skills in order to convey emotions in one live production that you have seen and assess their success in doing so at particular moments.
  3. Explain how two or more performers used performance skills to bring their characters to life on stage at particular moments in one live production that you have seen and assess the effectiveness of their performances.
  4. Explain how one performer used their performance skills to create two or more different characters in one live production that you have seen and evaluate their success at particular moments.
  5. Explain how the performers used vocal and physical skills to entertain or to thrill the
    audience in one live production that you have seen and assess the effectiveness of their performances at particular moments.

Task - Choose one of the questions above and write about one moment from The Odyssey.
Put your answer in the comments box below

Monday, 22 February 2016

 
 

Curious Incident

 
Refresh your memory of how moments were created using the video below -


 
 
It is really helpful to watch extracts online to help you to refine your notes
 

LIVE THEATRE MOCK EXAM

LIVE THEATRE MOCK EXAM

This weeks Drama and Theatre Studies mock exam slot will be structured in the following way-

  • 45 minutes - Reflecting on and developing understanding of examples, examiners notes and mark criteria
  • 1 hour - Improving notes – ensuring 5-6 moments for each focus identified – e.g believable character, engage the audience etc. There should be around 3 focuses per performance.
  • 45 minutes – Written Mock using a past paper
  • 30 minutes - Reflection and highlighting criteria (self- assessment before submission)

You must bring all your Live Theatre Notes - typed - to the mock exam - any problems see/email Jocasta or Sarah.
 
 
 


Thursday, 21 January 2016

February half term performance of Metamorphosis at the Corpus Play Room
A great opportunity to see a piece of Berkoff,
which you could then write about in your Live Theatre exam!